LAARC VIP10: Volunteer Profile – Braena

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As part of our 10 year celebrations each week we’ll be posting Volunteer Profiles to let you find out a bit more about some of LAARC’s excellent volunteers that have returned for the current, museum-based project. Today, it’s Braena

1) When did you join the volunteer programme and why?
I joined the VIP in Summer 2011 to gain more experience in archives and handling of archaeological material

2) What was your most memorable day whilst volunteering?
The day when we had a seminar on leather artefacts


3) What was your favourite object you discovered whilst volunteering?
One of the roman shoes we came across

4) What’s your favourite part of the museum?
London before London

5) Upper galleries of lower?
Upper galleries

6) Favourite year in London’s history?
No favourite year – I’m interested in roman, medieval and tudor periods

Packing pots in Hands-On Archaeology workshop

7) Favourite Londoner?
Too many to choose from.

8) Mortimer Wheeler or Indiana Jones
Mortimer Wheeler!

9) If you could dig anywhere in the world where would you excavate?
Egypt

10) What’s next for you after this project?
A placement with the Portable Antiquities Scheme

LAARC VIP10: Weeks 2 & 3

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students at the Finds Packing table - Week 3

We’re now 3 weeks into our Visitor Inclusion Project (VIP), the series of events that celebrate our Archaeological Archive’s 10th birthday by sharing our work with visitors at the museum.

10 Years of The LAARC Celebrations

We’re having an awesome time, having chatted to over 2500 people so far. One of the best bits of the job is sharing our passion for archaeology with visitors who are often pleasantly surprised that we’re letting people handle these real bits of archaeology. It’s also cool hearing about the number of visitors who have dabbled with archaeology in the past, or found things on the foreshore, or have been to various archaeological sites across the world, or those who simply can’t get enough of Time Team!

Week 2 - Osteology table Alan chatting to visitors about archaeological records

Our Archaeology Exposed tables are proving really popular. The things that are catching peoples’ eyes seem to be a crazy example of a piece of wood and what happens if it’s not looked after on Monday’s Conservation table, an example of an medieval arthritic hip on Tuesday’s  Osteology table and possibly the world’s most complicated stratigraphic matrix on Friday’s Records table.

Week 3 - Hands-On Archaeology Hands-On Archaeology - Friday afternoon, Week 3 Tuesday's Workshop - Week 3 Hands-On Archaeology - Friday 3rd Feb

And then there’s the numerous amount of people that have come along to a Hands-On Archaeology workshop, many of whom are from overseas and are loving the chance to have a go at sorting London’s pottery. These two chaps from Switzerland joined us earlier this week, whilst the lady in the left picture was stopping off here from the USA before moving on to Egypt.

Swiss visitors get their hands on London pottery Getting your hands on pottery in our Hands-On Workshop

And we’re starting to see real results in terms of the material we’re working on whilst we interact with you. Over 100 boxes of archaeology have been repacked and in doing so we’re saving a fair amount of space within the boxes simply by this better packing.

Our younger visitors get to handle 2000 year old pottery Archaeology exposed - Lucy & Pam

So roll on the next 7 weeks. We’ll be keeping you updated with our progress here on the blog where we’ll also be sharing the history of our archive’s first decade, various objects that narrate London’s history and giving you an insight into the thoughts of our volunteers.

New year – old challenges!

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Since my last post back in December a lot has happened in the world of digital preservation at LAARC (London Archaeological Archive and Research Centre). We have taken in several large archive deposits, including a great deal of digital images relating to a number of Olympic development sites, and I’m currently busily processing the deposits in order to make them accessible through our online catalogue.

We’ve also had a number of enquiries regarding our collections, ranging from a request for information on fish bone samples from archaeological sites, to questions about plans and standing building drawings of a church in the City of London which we hold in our collection. While these are standard enquiries for a collection like LAARC, they do sometimes involve the investigation of our legacy data to find out exactly what information is available.

So, what exactly is legacy data I hear you ask? Well, in the context of digital preservation it is often used to refer to files or data stored in old or potentially obsolete formats, which as a result can be difficult to access and even harder to interpret. As a result, and in particular when dealing with enquiries relating to archaeological excavations which occurred in the 1980’s and early 1990’s (when digital records were being created, but the idea of digital preservation hadn’t really entered our consciousness), it is sometimes necessary to conduct searches across this legacy data, extrapolate the required information, and manipulate and migrate the data into a more accessible format, while ensuring that the data itself has not been altered in the process.

Part of our legacy equipment

Part of our legacy toolkit at LAARC!

Our standards and guidance for deposition, and our work with current depositors of archaeological records, aims to ensure that we are not faced with these problems for current and future digital deposits. However, for digital records that were created before such standards were in place, we simply have to deal with the data in whatever form we have it, and work to the best of our abilities to extract the required information. Our long term goal is to process and migrate all of the legacy data we currently hold into accessible formats which we can then provide access to online, but with legacy data from over 670 sites, it will take some time!!

I was lucky enough to get an opportunity to talk about some of these issues when I was invited to give a short presentation at the Digital Preservation: What I Wish I Knew Before I Started event, organised and co-hosted by the Digital Preservation Coalition (DPC) and the Archives and Records Association (ARA) back in January. The event aimed to give ideas and practical advice concerning digital preservation to current archive and records management students, and hopefully inspire them to get involved in this particular area. For anyone interested, all the presentations from the day are available at the DPC event page and comments from the day can be found on Twitter by searching the hashtag #dpc_wiwik.

Finally, I can’t write a blog about my work at LAARC without mentioning that it’s our 10th anniversary this year – and we are running a number of events and hands on activities both at LAARC and the Museum of London to celebrate. I had my first experience of these when I participated in the Archaeology Up Close day on the 20th January, when we put on a display of finds and records on the theme of ‘Made in London’. Various finds were on show which provided evidence for shoe making in the Roman period, medieval glass and ceramic making, and post medieval clay tobacco pipe manufacturing. It was great to be able to share our collections, and passion for archaeology, with visitors to the museum, and for my part it was certainly nice to get away from my computer for a day! Various LAARC staff will be at the Museum every Monday, Tuesday and Friday for the next 8 weeks, talking about our archive collections and archaeology in general, so come and say hello when you are on your next visit, and follow the LAARC VIP blog for more info.

'Made in London' archaeology event

LAARC staff talking to (hopefully) interested members of the public about archaeology

Dickens Book Club February – Bleak House

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Welcome to the February Dickens Book Club.

My name is Sally, the Librarian at the Museum of London, and I have volunteered to read Bleak House with the book club as it is a novel I studied at school (rather a long time ago now) and enjoyed. 

Whereas studying ‘Silas Marner’ put me right off George Eliot, ‘Bleak House’ was so good it  encouraged me to go on and read other books by Dickens, although none of them ever seemed to match up to original impact of ‘Bleak House’.

I am looking forward to revisiting the novel as an older person, and I am also going to be reversing my Luddite tendencies and will be reading the novel on an e-reader, a well-known version of which was given to me as a Christmas present and on which my second download was the complete works of Dickens.

‘Bleak House’ followed the familiar publishing route for a Dickens novel, in that it was published as a partwork, over 19 monthly instalments (the last one being a double issue), from March 1852 to September 1853.

While readers at the time would have had a month to consume a few chapters, we will be reading the novel over just one short month, which means aiming to read at the rate of 2.5 chapters a day (well, that’s the plan).

As I remember, we will be encountering the whole gamut of Victorian society, from the homeless poor to the landed aristocracy, and will encounter issues of the day, such as slum clearance, sanitary reform, philanthropy, the development of a detective branch of the Met., and the iniquities of never-ending court cases. 

Encompassing it all is London – dirty, decaying and foggy – so let’s get started with the most magnificent opening of any Dickens novel, and immerse ourselves in fog…..

If you would like to join Sally in reading Bleak House our friends at Foyles are offering Dickens Book Club followers an additional 10% discount for online purchases of  the novel here. Simply enter ‘MOLBC’ at Checkout to activate this discount.

Discovering the Vauxhall Pleasure Gardens

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In the run up to our Pleasure Garden Ball event at the Museum of London on Tuesday 14 February, we’ve put together a quick blog post that should tell you everything you need to know about the pleasure garden!

As London became more built up in the 17th and 18th centuries, Londoners began to need open spaces to relax in. Pleasure gardens were built at the edge of the city and were privately run. The most famous were the Vauxhall Pleasure Gardens.

Vauxhall, 1785 by Thomas Rowlandson

Vauxhall, 1785 by Thomas Rowlandson

Vauxhall Gardens opened to visitors in 1661 under the name ‘New Spring Gardens’. As well as providing an opportunity to parade the latest styles, Vauxhall Pleasure Gardens provided ‘fresh air’ for its visitors. Breathing fresh air and taking gentle exercise were thought to maintain good health, a matter that was a concern for all classes at that time. Visitors could combine this health trip with meeting friends and family, seeing well-known society figures or maybe even a meeting with a secret admirer.

Pleasure gardens competed for visitors, vying with each other to offer evermore exciting entertainments. Vauxhall Pleasure Gardens offered a wide variety of entertainment, including lion-tamers, trampoline clowns, fortune tellers, ventriloquists, monkeys, dogs, jugglers, horses who danced to a waltz and fire walkers.

Tournaire's Equestrians, Vauxhall Gardens; 1846

Tournaire's Equestrians, Vauxhall Gardens, 1846

Despite their appearance, not everything was perfect in the gardens. Visitors often included both the highest in society, such as members of the royal family, as well as pickpockets and prostitutes. Women had to be careful of ‘overly-friendly’ men and watchmen were employed to try to stop the pickpockets. Samuel Pepys wrote in 1667 that there were ‘…young gallants misbehaving, breaching supper boxes uninvited and insulting the ladies’.
Costumes from the Museum of London’s pleasure gardens

Costumes from the Museum of London’s pleasure gardens

The development of the railways in the 1840s allowed Londoners to travel further to enjoy the fresh air of the countryside and seaside and by 1859 other gardens, such as Cremorne, had become more fashionable than Vauxhall. Attendance dwindled at the almost 200 year old venue and on Monday 26 July 1859 the Vauxhall Pleasure Gardens closed for good.

Indulge in the delights of the pleasure garden this Valentine’s Day at the Museum of London!
The Museum of London’s pleasure gardens

The Museum of London’s pleasure gardens

Pleasure garden ball
Tue 14 Feb, 6.45-9.45pm
Book in advance £6 (concs £5)
Enjoy a night of dancing, drinking and decadence as we recreate Georgian London’s quintessential pastime – the pleasure garden. Learn to dance with an 18th century girl band, watch risqué poetry and theatrical performances, discover dandy fashion, then design and wear your own alluring masquerade mask. Costumes are encouraged but not required!
In partnership with Write Queer London and The Mask of Joy

A History of London in 10 Archaeological Objects: Object 1

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This year the LAARC (London Archaeological Archive & Research Centre) marks its 10th anniversary. To celebrate our achievement of promoting London’s archaeology and making our collections publicly accessible we’re in residence at the Museum of London’s galleries. You can even join in yourself and assist us in improving our collections by getting your Hands-On real Archaeology.

  A school group visits our conservation table

Although the Archive holds a wealth of information from maps, drawings, digital data, context sheets to photographs, it is perhaps archaeology – the ‘stuff’ – filling over 200,000 archive boxes that we are all instantly drawn to. Our ‘general finds’ are the bread and butter of archaeology but for the most part it is our ‘registered finds’ that are intrinsically interesting.

For several years my colleague Adam has been blogging about these noteworthy objects that lie dormant in the Archive waiting to be researched, audited by a volunteer or even make it into a Museum of London gallery display.

     

Over the next year I’ll be presenting you with ten archaeological objects. Ten objects that emphasise the importance of London’s archaeology in shaping, or even reshaping, our understanding of the City’s history. I have literally over millions of artefacts to choose from, but this won’t be a display of the shiniest or most well-known. My selections may be representative of, or even unique to, an historical period. They may acknowledge the science of how these objects are discovered and how they survive London’s chthonic depths over millennia.

Like all good history we’ll start at ‘the beginning’:

Object 1

Prehistoric (Upper Palaeolithic) Leaf-point Flint Blade 

The first of our objects is a flint blade (not so interesting you may think…). Dredged from the Thames at Longreach (opposite Purfleet) in April 1905, it came to us via the late Geoffrey Gillam of Enfield. This is a classic example of a museum object that has lain dormant; its significance waiting to be unlocked, for this prehistoric flint may actually be the earliest example of an artefact crafted by a ‘Londoner’ in the Museum’s collection.

Our first Londoner in this instance would be a modern human, that is, homo sapiens sapiens. It was during the Upper Palaeolithic, about 40, 000 years ago, that modern humans developed blade technology (our predecessors, Neanderthals, perhaps being commonly associated with flake technology produced hand-axes) resulting in a huge range of stone artefacts being crafted. At the same time scholars have also argued about the inherent aestheticism of these objects – and we may even be looking at London’s earliest ‘work of art’! Lithics expert, Jon Cotton, ‘re-discovered’ this object with colleagues and they will hopefully be publishing it in the near future.

Next month object number 2 – where we’ll skip past a few millennia (and a lot more flints) to the Iron Age…

News from our Dickens Book Club

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Have the recent TV and radio adaptations alongside celebrations for the upcoming 200th anniversary of the birth of Charles Dickens seen you revisit or read for the first time a work by this creative genius?

If so there is still time to join our Dickens Book Club and share your thoughts on the work of this great author via Facebook and Twitter.

We will be focusing on Bleak House in February, sharing favourite passages and our thoughts as we progress through this work.

We will also be completing our reading of Barnaby Rudge from January, so do look out for updates here as the novel approaches the Gordon Riots of 1780.

When the book club was launched in September 2011  we decided to ask our social media followers which work of Dickens to read to close our book club in May 2012.

Having reviewed the suggestions and comments received. The title that we have chosen to feature in May is David Copperfield. With its “memorable characters written in the first person” this was agreed to be a worthy title to close our book club celebrations of Charles Dickens work.

Alongside this online book club we have also been running a series of book club events at Foyles Bookshop flagship store at Charing Cross, London. The next meeting is being held at 6.30pm on Monday 6 February 2012 focusing on Bleak House with our Dickens and London exhibition curator Alex Werner.

 There is no need to book just turn up on the night and meet in person other fans and aficionados of Dickens.

Our books clubs are ran in support of our Dickens and London exhibition at the Museum of London which is open until 10 June 2012.

LAARC VIP10: Volunteer Profile – Margo

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As part of our Archive’s 10th Birthday celebrations our excellent volunteer team are based in the Museum of London’s galleries. Each week we’re posting Volunteer Profiles so you can find out a bit more about who volunteers with us. Today it’s Margo:

1) When did you join the volunteer programme and why?
May 2011 – to learn about the history of London and its archaeology

2) What was your most memorable day whilst volunteering?
No particular day – just enjoyed working with the finds and all the guest lectures/workshops

.

volunteers and sheep vertabrae

3) What was your favourite object you discovered whilst volunteering?
There was this cool tobacco pipe

4) What’s your favourite part of the museum?
Roman gallery

5) Upper galleries of lower?
Upper

6) Favourite year in London’s history?
2011

7) Favourite Londoner?
Christopher Wren

   

8) Mortimer Wheeler or Indiana Jones?
Mortimer Wheeler

9) If you could dig anywhere in the world where would you excavate?
Middle east

Finds Packing table - Day 1

10) What’s next for you after this project?
A bit of travelling and other volunteer opportunities

LAARC VIP10: Volunteer Profile – Benji

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Each week as part of our current project celebrating 10 Years of the Archaeological Archive, we’re posting Volunteer Profiles to let you find out a bit more about our excellent Volunteer Team. Today it’s Benji:

1) When did you join the volunteer programme and why?
In September 2011, it looked very interesting!

2) What was your most memorable day whilst volunteering?
Discovering a fine example of Elizabethan tassels

3) What was your favourite object you discovered whilst volunteering?
A fine example of Elizabethan tassels

4) What’s your favourite part of the museum?
The Newgate Prison in the Expanding City gallery

5) Upper galleries of lower?
Upper

6) Favourite year in London’s history?
1066 & 1966

7) Favourite Londoner?
Iain Sinclair (born in Cardiff but his work is mainly London focused…)

8) Mortimer Wheeler or Indiana Jones
Morty

9) If you could dig anywhere in the world where would you excavate?
My garden

10) What’s next for you after this project?
Leading tours of the Archive and then starting a degree in archaeology & ancient history

 

10 Years Of LAARChaeology: 2002 – 2005

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Part 1: A Look Back At Our Early Days

The London Archaeological Archive & Research Centre, better known as LAARC, officially opened on 7th February 2002. Based along the Regents Canal on the Hackney/Islington borders, the museum took a warehouse formerly used by a steel tubing company and made it the home of its archaeological and reserve collections.

There had been archaeological stores prior to this, and indeed in 2002 the collections had been based in this building for a few years already. However, upon opening, this was the first time that our archaeological collections had been easily accessible for research to anyone who so wished to visit.

Yet, it wasn’t all perfect. Archaeology only really turned professional in the early 1970s and even then there were a few good years of experimenting with different methods of recording and archiving. Despite storing the various archived sites in a logically accessible order upon our shelves, we still faced several storage problems such as having random box sizes, items not labeled correctly and more importantly, individual artefacts sitting loosely within their finds bags without any protection, at a potential risk of damage. The improvement of these storage issues was high on our agenda.

LAARC also had community engagement on its agenda and so a project was designed that combined both improvements to the material and opportunities to get involved. With successful funding from the Heritage Lottery Fund and the Getty Grant Foundation, the “Minimum Standards Project”  was born.

The Minimum Standards Project (or MSP) began to involve volunteers with artefacts. These volunteers were mainly people who wanted to get involved with archaeology (or in some cases like mine, unemployed archaeologists looking to keep their finger in the archaeological pie). Certain materials were prioritised such as the bone and glass objects and volunteers would add a layer of protective jiffy foam within the object’s bag making the object more secure. They’d also write out a couple of new object labels in line with the the archive’s standards. Finally, they would check the objects off on an excel database to make sure everything was where it should be. In essence, making sure the minimum standards of collections care were met.

And this was great! Hugely successful, hundreds of volunteers were involved in the project and in 2005 it received the Conservation Award for Care of Collections.

But it wasn’t just finds work. Whenever an archaeological unit had completed their post excavation work they now had one central repository to deposit not only their finds but their records too. And this was applicable to any organisation that had dug in London. The LAARC enabled researchers to view the complete archives all in one place – artefacts and records – regardless of who had originally done the investigation.

All good work and clearly a good resource. So what did we do? We added some fun to it all. On top of LAARC being a model of good collections management and a centre for archaeological research, we held regular themed open days where we could share London’s history with members of the public. Allowing the creativity of our staff to run wild, themes ranged from “Animals in Archaeology” to “Arts & Crafts” with open days blending a mix of object handling, family activities and tours of the stores.

All these aspects helped build our reputation as leaders in both archaeological archiving and as ambassadors of archaeology, creating models of good practice which would then be developed and expanded as the years progressed.

Next month, “2005 – 2007:Expanding our engagement”

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