Author Archive: articles by Bilkis Mosoddik

Author Website: http://www.museumoflondon.org.uk
Author Bio: Bilkis Mosoddik is the Web Content Manager at Museum of London. Bilkis can be contacted via email at webmanager@museumoflondon.org.uk.

Jeremy’s open secret

Wednesday, May 12th, 2010

For those of you who still don’t know, it is with great regret that we say goodbye this week to our web developer, Jeremy Ottevanger.

It has probably been the worst kept secret in the Museum sector and the web. In case you are wondering what I mean, Jeremy accidentally tweeted and bloged about leaving the Museum before it was even confirmed!

Jeremy Ottevanger

That blunder aside, in the eight plus years that Jeremy has worked for the Museum of London, Jeremy has been the cornerstone that kept the Museum of London websites going. Being the only web developer in the Museum, Jeremy’s work here has been extensive and varied. From working on large projects such as our collections online, to fixing bugs on our websites, no two days were the same. Jeremy will leave his mark at the Museum and in all our digital media, both online and off.

Jeremy is going to join the Imperial War Museum to become the Technical Web Manager there. I personally want to say thank you to Jeremy for all his hard work and wish him luck on his new job. The Museum of London websites would not be the same without him.

If you are interested in following what Jeremy is up to next, then you can read his blog at http://doofercall.blogspot.com and follow him on Twitter @jottevanger.

The Museum of London Docklands is now free!

Wednesday, April 14th, 2010

I’m very happy to tell you that the Museum of London Docklands is now free to all! You can enjoy getting an insight into over 2,000 years of history surrounding the Port of London and the people who lived and worked there, all without charge.

Museum of London Docklands is situated in one of only two warehouses from 1802 still remaining on West India Quay, and it has long been a popular destination for local families and tourists.

You can visit the Museum at:

Museum of London Docklands
West India Quay
Canary Wharf
London E14 4AL

Open everyday from 10am-6pm (except 24-26 December)
More information at: www.museumoflondon.org.uk/docklands

Entrance to the Museum of London Docklands

Social media, information architecture, web design… life is really busy at MOL!

Wednesday, February 17th, 2010

After writing so much about social media and the things we are currently doing, I am aware that I haven’t blogged in some time about what we’re doing right now and appear to have disappeared from the horizon. However, I assure you that I have been very busy and here’s an update of some of the things I am involved in:

Social media

I have taken a few actions following on from my last blog entry about what we’re doing on social media. The first action was to get support from my colleagues in Press & Marketing to help me manage the some of our social media activities, and over the past few weeks, you may have noticed that the numbers of tweets by us have increased. This is due to one of my colleagues, Tim, taking over much of the activities on this platform. Though I occasionally still go and respond to tweets and retweets, both directed at @museumoflondon as well as when ‘Museum of London’ is mentioned, Tim has been doing a wonderful (and much more interesting – thank you Tim!) job on it. Please continue to show your support and follow us on Twitter:

http://twitter.com/museumoflondon

Tim has also been introduced to our Facebook account and he has started to update our statuses. I am still responding to all the comments and enquiries and adding the occasional status updates but I am hoping Tim will take over managing this soon as well. Yes I know I’m giving away the management of the juiciest aspects of web publishing (!!!) but this is very much due to the restriction in resources I am currently facing and the projects I am working on at present.

Information Architecture & web redesign

One of the things that have been keeping both Jeremy and I very busy is looking at restructuring our website information architecture and redesigning the site, in particular, addressing the site navigations. Between Jeremy, Rhiannon and I with support and input from many other people from across the organisation, we have come up with a number of new information architectures. We have now come to a compromise on one particular architecture and are in the process of testing it with users. We have also looked at a few design proposals and are currently deciding on which designer we will go with.

Suffragette Emmeline Pankhurst being arrested outside Buckingham Palace, 1914The hardest part of the activities so far has been getting the top level navigations right so that the three arms of Museum of London are all represented and clearly branded, without taking away from the fact that we are all one organisation. I can go on for days about the difficulties we have encountered so far, but for now, I won’t bore you further with it.

Just remember to look out for a whole new website at the end of May!

You are here

Something else my colleagues and I are working on and you should watch out for is our ‘You are here’ campaign at www.youarehere.org.uk. I won’t say any more about this, but check out this link in the coming months!

Happy New Year from the Museum of London

Monday, January 4th, 2010

Well I am back in the office after just over a week and have finally managed to go through all the emails and urgent updates on the websites and staff Intranet, I thought I’d take a few minutes to wish you all a very Happy New Year from everyone at Museum of London and tell you that some wonderful new things are happening this year, so watch out for them.

If you don’t yet know, we will be opening our new Galleries of Modern London at Museum of London in May and as of the 1st of January, we are revealing daily, the 1919 Diary of Oscar Kirk, a young messenger boy employed by the Port of London Authority. You can follow daily tweets from Oscar at http://twitter.com/oscarkirk1919.

Also coming soon is a new gallery, “War, Plague & Fire“, telling the story of London from the Elizabethan times, through the ravages of the English Civil Wars to the Great Fire of 1666 at Museum of London, and a display of post abolition commemorative stamps from around the world at Museum of London Docklands.

All that and so much more to look forward to this year, so stay tuned to find out more!

And the winner of the hat competition is…

Tuesday, December 22nd, 2009

Every year Museum of London employees get to attend a staff Christmas lunch for a small amount towards costs at the Guildhall with the Lord Mayor. Since I started working for Museum of London, I have been attended these lunches every year, and this year was even more special as I had many new colleagues who have joined the Museum, with whom I was able to spend some time.

The day started off very excitedly with many people doing last minute finishing touches to their hats that they will bring along to the lunch where the Lord Mayor and the Mayoress would judge them, and the owner of the best hat creation would win a prize. We make our way down to the Guildhall around 12.30pm, hoping to find the best seat, choosing the person we wish to sit next to (or not!) and generally starting the ‘party’.

Some people bring along Christmas crackers and party poopers, and the very brave even bring along squeaking balloons that they compete to try and get the balloons to go as high as possible.

We start of with starters (this year it was artichoke soup), then continue the meal through a main course until desserts (yum!). Finally, we stand up to toast the Queen and the Lord Mayor and the City of London. Inevitably, by the end of the lunch and the many toasts, some people are a little worse for wear and head off home (we’re not allowed to go back to work after drinking alcohol, so most people take the afternoon off).

Throughout the lunch, the Lord Mayor and Mayoress look around and decide on the best made hat. I am proud to say Museum of London has won this competition on and off for many years, but have held on to the title consecutively for the last three. Each year, only one winner stands out, and ladies and gentleman, the prize for the best hat this year went to…

Carol Thompson and Tanya Pollard of Museum of London!

Tanya Pollard in her winning hat Carol Thompson in her winning hat

Both did so well that the judges decided to make a first and make them joint winners. Carol especially was thrilled as she had won the hat competition two year ago as well.

Exploring 20th century London

Friday, December 18th, 2009

What do Philippe Starck’s iconic lemon squeezer, a tracksuit top that belonged to a former Tottenham Hotspurs manager and a Christmas card sent (and painted) by Winston Churchill have in common? The answer is that they can all be found on the newly designed and expanded Exploring 20th Century London website www.20thcenturylondon.org.uk.

These are just three of the 9000 objects (including over 2500 from MoL) that are available for the public to view and enjoy and that cover almost every conceivable part of London in the 1900s. The objects have been made available by the Museum of London and 13 other London institutions.

The site has recently had a makeover so that images are bigger and it is a lot easier to browse around.

Take a look and see what you can find!

Jason Webber
Web Manager, Exploring 20th Century London

Exploring 20th Century London website

The Galleries of Modern London are coming along very nicely!

Friday, December 11th, 2009

Museum of London foyer, currently the Tom Hunter’s Flashback display is onMany of you will be aware that the Museum of London is undergoing a huge redevelopment and some spectacular new galleries will open in May 2010. However, although many of the Museum of London employees have seen how the redevelopment is going, the web team didn’t get a chance to see the latest developments.

So we decided to have a bit of an adventurer last Friday afternoon after the builders had ‘shut up shop’. Yes, we finally went to see the new galleries and I managed to sneak my handy camera in with me and took a few photos to share with you.

I must warn you that I am no professional photographer and my very slim digital camera does not deal well with poor lighting, but the photos below will still give you an insight into some of the fascinating things that await your visits in May.

The head of communications, Antony Robbins, gave us an excellent tour. We explored the new Galleries of Modern London, starting with checking out some really cool chill-out areas where visitors can surf the net and perhaps even sneak in a coffee or two!

What looked like a ghostly figure shrouded beneath plastic appeared to watch us as we made our way through the galleries. I found that we are being very eco-friendly and have recycled many of our display cases from the previous galleries.

I was much taken with one of the exhibits of an 18th century printing press that spews reams and reams of papers, notices, and posters on to over 20 plasma screens to show the 18th century version of the white heat of technology. Wow, I thought, I can’t wait to see this in action!

I finally discovered what the back of the glass display cases look like (they actually look like the back of normal cases to me!), and I was able to look up closely into what the inside of the Wellclose prison was like in its original form. I didn’t have time to read all the names and see all the pictures etched on the walls, but it was fascinating none the less.

For the first time ever, Museum of London will have display cases under the floor and I was told that the glass will be bullet proof (no, please don’t bring your gun in to check!).

I ‘accidentally’ stumbled into the power room behind the gallery and decided to take a photo as I was already there.

The pleasure garden was next and how pretty and peaceful it was! One of my colleagues was playing around with the different sounds that would be played in the background and I could have just stayed there for a very long time. There were real trees in the middle, and the garden has the ability to change from day to night, with the music reflecting the different mood.

We were lucky to see the Selfridges lift all lit up and my colleagues and I marvelled at the detail.

We toured the galleries that had maps and interactives, and what I thought were sails but weren’t sails at all (it was just sheets to protect the new galleries from dust and keep it private from visitors visiting the galleries on the upper floors). It turned out that we were keeping the development sites very clean because I even saw a very happy, smiling ‘Mr Henry’, vacuum cleaner.

I was interested to learn that an unexploded insidious bomb recovered in the early 1940s in the East End will loom large on top of a glass case. You and I will have to find out by visiting the gallery when it opens exactly what this looks like.

I found out that the largest glass case in the gallery will host the Tom Hunter ghetto (recreation of groups of streets in Hackney, home to squatters, including Tom himself) and that there will be an interactive river Thames (it was not installed fully yet so I couldn’t really get my hands on it and test the interactivity, all in the line of duty of course).

We were unable to see some parts of the gallery but as I did not want to disappoint you, my colleague and I raised the zip up a little and I took the photo of the Lord Mayor’s Coach (which you can see below).

The timeline for ‘a London year’ had not been installed yet but Antony did suggest that the web team may want to buy a year and I said that as soon as he gives us a pay rise, we would be more than happy to contribute. I’m sure we can expect a pay rise very soon. (If you haven’t yet bought a year, and wish to do so, why not visit our website at www.museumoflondon.org.uk/English/SupportUs/Year-of-London-History/availableyears.htm for more information)

The Clore Centre was the last thing we saw. It opened recently and has hosted many events already. In the Centre, I’ve learned that learning continues, even if you go to the toilets!

Photographs of developments

Below are thumbnail images showing parts of the things I saw on my tour. Click on each image to see the full, larger image:

The web team in the lift going down to the new Galleries of Modern London under development Apparently a curtain will hang here that will have some LED lights on it These pods will have computers to browse for information and have interactives. Visitors will be able to chill-out here and maybe even bring their teas and coffees! The 'ghostly figure shrouded beneath plastic appeared to watch us' was in fact a clear, plastic bodysuit
Printing press that spews reams and reams of papers, notices, and posters on to over 20 plasma screens Another picture of the printing press papers to be replaced with plasma screens What the back of the display cases look like Door of the Wellclose prison
Behind the glass, those are the original wooden walls from the Wellclose prison with etchings Display cases will be available on the floor for the first time at the Museum The power room behind one of the gallery A view of part of the pleasure garden
There are real trees in the pleasure garden
The skylight that will change from day to night in the pleasure garden Some of the motor cars were already placed in the galleries The team looking at the Selfridges lift
Part of the Selfridges lift The Selfridges lift Water pump from the time when water was poisoned and many people killed Map room showing locations of the rich and poor residents in London
Museum of London recycled the display cases from former galleries Pictures from the war I’m told that just on top of that glass case or in it, an unexploded bomb will be visible Through the window, a plasma screen will play movies (it was playing the Simpson while I was there! Erm…)
Museum of London likes being very clean and we have a happy 'Mr Henry' to help us along The pole was part of the first ever automated traffic lights The famous red telephone box! London would not be London without it There is a cinema in the galleries
Those are not sails! They are just sheets to protect the new galleries from dust (and keep it private from visitors visiting the galleries on the upper floors) Clearly a vespa under that dust cover My colleagues touring the galleries Don’t ask me what that is - I didn’t get close enough to find out. Looks very interesting though and I’ll be checking it out as soon as I can go back again. Could it be a representation of a flame?
I thought I’d give a glimpse of all the techie stuff hiding away behind the panels in the new galleries Changing London display This is one of the largest cases and will host the Tom Hunter ghetto The interactive river Thames (it was not installed fully yet so I couldn’t really get my hands on it and play!)
No access signs (we were denied access to much of the galleries still under construction) Lord Mayor’s Coach in one of the gallery I was denied access to! This is where the timeline for ‘a London year’ will go Brand new staircase behind the theatre that looks out on to the Barbican
The Clore Learning Centre A room in the Clore Learning Centre Taking the theme of the ‘yellow line’ to be followed to the Barbican, these coloured lines each follow to a different room in the Clore Learning Centre The full coloured lines in the Clore Learning Centre
Toys and other memorabilia is showcased in the long corridor of the Clore Learning Centre I decided to investigate the 'talking toilets' in the Clore Learning Centre (I didn’t dare enter the gents - so pictures are from the ladies) And as you can see - learning continues here too! (Picture from inside one of the cubicles) Entrance to the theatre

Museum of London and social software: what are we doing now?

Wednesday, December 9th, 2009

Last week I wrote up my conclusions from the research I carried out on Museum of London (MOL) and its use of Facebook and blogs. To summarise:

  • 100% of members want MOL to continue on Facebook,
  • Most members would recommend MOL and MOL on Facebook to other people,
  • Very few visitors were engaging with MOL through Facebook and the blog sites,
  • More effort needs to be put into improving the communication on Facebook and blog to make it effective,
  • MOL was not utilising Facebook or the blogs enough at the time of research and used it for information purposes only,
  • It appeared that people wanted to receive information but not necessarily engage with MOL in any way other than to read emails, update alerts, and the blog entries, and
  • People want to be prompted and guided to available content in the most convenient way.

So what are we doing now to ensure we utilise these available resources in the best way possible?

I have taken the feedbacks and lessons learned from my research to ensure that more use is made of all of our social software sites and activities. Although there are resource constraints, I have been attempting to:

  • Add regular Facebook status updates on the MOL Facebook fan page,
  • Twitter regularly on the MOL Twitter account,
  • Blog more frequently on this blog site, and
  • I have been vigilantly ensuring that all comments on MOL Facebook, YouTube, blogs, and Flickr, and all tweets and Twitter messages at Museum of London is responded to.

In addition to this, I am working on a new ‘Online’ section on the Museum of London website to bring together all these activities into a central location. I am also emphasising the use of social software to my colleagues and attempting to pass on responsibilities to various departments to manage some of these tools.

We are a long way from accomplishing all that which can be accomplished with all the available social software, but slowly and surely, we are heading towards that line were our visitors are able to engage with us in their preferred platforms and we are able to say ‘yes, we are listening and we care’.

On another note, I have finally visited our Modern London Galleries currently under development, due to open in spring 2010 and I have taken many, many pictures, so watch out for my next post to find out about all the exciting developments!

Museum of London and social software: the conclusion of effectiveness of social software on Museum

Tuesday, December 1st, 2009

At the beginning of these blog posts, I raised a number of questions about the effectiveness of social software on the Museum of London. The conclusions derived from my research are as follows:

Does the Museum of London lose visitors through having content sitting on separate social software sites?

It became obvious from my research that the Museum of London (MOL) was not losing visitors by having content sitting on other sites but was in fact, gaining more visits to MOL websites as a by product of its existence on Facebook and the existence of MOL’s blog (MyMOL). In addition, as a result of its presence on Facebook, Facebook members were making some actual visits to the Museums that they previously may not have made.

However, the advantages of having a blog and a presence on Facebook was clearly not being utilised to its full potential. I discovered that if more blog entries were made on MyMOL, with links to the MOL websites and incentives to visit events and exhibitions at MOL, more visitors would visit the MOL websites and possibly end up visiting the two MOL Museums.

Also, from the comments I received in the Facebook survey I carried out, it was apparent that MOL could promote more events and engage better with the audience by actively prompting members to not only visit the Facebook pages, but also MOL websites and any other social software sites where MOL activities were taking place.

Are visitors engaging with Museum of London through social software sites?

Keep on Facebooking, but do so appropriately and frequentlyWithin the limit of my study on the MOL website and MyMOL, the measure I used for testing whether visitors were engaging with the sites proved that in actual fact, very few visitors were engaging with the Museum or the Museum blog through active comments, enquiries and feedback. This, I realise, may be incorrect to conclude as visitors could have been engaged in many ways such as using information for research and planning visits and visiting the actual Museums, but the method I used showed very little engagement on the social software sites.

On Facebook, however, the engagement level was greater in one sense, but minimal in another. It was greater in that with the response to the survey alone, it proved that a high percentage of the members were willing to engage with the MOL, however, very few members were carrying out discussion or collaborating.

So to answer this question, very few visitors were engaging with MOL through its social software sites at the time of research.

Do visitors find information on Museum of London social software sites of value?

I concluded that visitors of MyMOL must find information of value as a high percentage of visitors made repeat visits. Though there was a drop in repeat visitors at the end of the reporting period for MyMOL, if the pattern of repeat visitors on MOL website was used, it was possible to see that the repeat visits would start to steadily grow, suggesting that visitors see it as a valuable source to come back to.

In addition to this, members on Facebook had generally thought the MOL’s presence on Facebook was useful, and every single member agreed that MOL should remain on Facebook, confirming that they do value it for the individual purpose for which they signed up to them, whether it was simply to keep up to date with events, or to find out about new developments at the Museums. Also, the comments were mostly positive and many members were recommending MOL and its presence on Facebook to friends and family, which was a very important factor in determining that members do find information on MOL websites and those on associated social software sites of value.

Should museums spend time pursuing the use of social software to attract new audience?

The number of visits to MyMOL in comparison to MOL website was very small, however, given that MyMOL was so new and did not have any publicity, it was still evident that the number of visits to MyMOL was increasing steadily, and the trend in visits mirrored that of the MOL website. For this reason, cultivating MyMOL would ensure that more visitors would be attracted and end up visiting MOL and MOL websites, and with promotion of MyMOL, it would be worth spending the time to attracting these new visitors.

Similarly, the number of MOL Facebook members were very small in comparison to the number of visitors to the MOL website received. However, as more effort is put into improving the communication on Facebook, more members are likely to join, and therefore, increase the traffic to MOL and its website. For this reason and for the fact that those existing members who responded to the survey valued the MOL Facebook presence and found it useful, I concluded that it would be worth spending time on attempting to engage these members and attract new audiences.

Should website visit statistics of content sitting on social software sites be included in the official statistics reports?

Having compared the web statistics for the MOL website with MyMOL, although the number of visits is small in comparison, they are still visits to a Museum site that holds information that belongs to the Museum and therefore, should be included in the official reporting. I could find no evidence other than the fact that for social networking sites such as Facebook, it may not be as easy to capture the visits and visitor statistics*, however, where statistics could be and are being collected, these should be reported in the same way as for all the other MOL websites.

To conclude

Museums can use social software to communicate with its audience outside of its own website, and can react quickly, efficiently and appropriately if the Museum is being discussed (Newson 2008).

Keep on blogging, but do so appropriately and frequentlyThe findings of my study at the time of research concludes that visitors use MyMOL and the Facebook pages for information purposes only, and MOL use social software to simply publish content. From this study, it appeared that people wanted to receive information but did not necessarily engage with the Museum in any way other than to read emails, update alerts and blog entries, and did not want to carry out conversations. They wanted to be prompted and guided to available content in the most convenient way possible without having to visit the MOL website unless necessary.

Given this conclusion, it could be said that MOL has much to gain from having a presence on Facebook and working with social software such as blogs, to attract new audiences and new visitors to the Museums and the Museum websites. It provides MOL with different ways to disseminate information that visitors’ value and can engage with, and MOL should spend time on ensuring that the right social software is being used appropriately.

However, as Newson argued, museums can only see benefits of using social software if they change their perception of social software to properly manage and take advantage of current knowledge and trends. “In other words, the value these tools offer depends on regular contributions, networked thinking and good levels of participation” rather than the actual social software themselves, therefore social software will only be effective if MOL takes a lead on it and uses it appropriately.

Though it can be argued that my research on the effectiveness of MyMOL on MOL and MOL websites was “not a good measure”, and in fact a better method of research would have been to check for “citations/linkbacks and user comments” (Chan), the results found still proved that although MyMOL was not highly increasing traffic to MOL website at the time of this study, and possibly no traffic to the actual Museum, it still raised the profile of MOL with the thousands of visitors who regularly visited the site and encouraged visitors to recognise MOL as a brand.

The use of social software by MOL was effective to a certain extent, but could be improved. I concluded that MOL should communicate more with its audience and engage with them effectively by clearly guiding visitors to the relevant events, exhibitions and collections, ensuring that the message is openly received.

Finally, though each museum has its own niche in visitor attraction, through the findings of this research on the effectiveness of social software on MOL, and using Hubbard’s justification that “sampling is observing just some of the things in a population to learn about all of the things in a population”, as the “law applies to everything” and not just for the “examples observed” (Hubbard 2007), it can be concluded that the findings for this report could apply to other museums and their use of social software too.

* Additional notes

The inability to capture website statistics for social software sites such as Facebook is very important to note as many social software tools are hosted on external servers that do not belong to the museums and often, cannot be accessed by the museums other than through the front end as a user. This raises a number of issues that museums should address.

Firstly, the question of who does the content belongs to?  In February 2009, there were rumours that Facebook was announcing that they owned all users content, and users no longer have copyright to it. However, although Facebook has stated that all content on Facebook put up by users, still belongs to the users (Lacy), it is important to consider this.

Secondly, there are the security issue and problems of backing up data that can potentially be lost forever should anything happen to those sites or servers. Currently, the only way to back up any information on such sites is to manually copy the data and store it in an internal server.

Finally, there are the issues of not being able to measure the level of usage of the site and how much traffic it gains as museums will not have access to the web logs that contain the data used for web analytics. Without this data, museums will not be able to track the number of visits that are made to the Facebook pages and evaluate the effectiveness of the use of the site on the museum and its websites, nor can it report the visitor numbers to stakeholders.

References

Chan, S. “Better museum blog metrics – is your blog really working for you and your organisation.” Weblog post. Fresh + New(er). Powerhouse Museum, 19 November 2007. Web. Accessed 6 August 2009. <http://www.powerhousemuseum.com/dmsblog/index.php/2007/11/19/better-museum-blog-metrics-is-your-blog-really-working-for-you-and-your-organisation/>

Hubbard, D. How to measure anything: finding the value of ?intangibles? in business. John Wiley & Sons, 2007. Print

Lacy, S. “Facebook: You Own All Your Data. Period. (But See You at the Next Privacy Uproar.).” Weblog post. TechCrunch. 21 February 2009. Web. Accessed 28 August 2009. <http://www.techcrunch.com/2009/02/21/facebook-you-own-all-your-data-period-but-see-you-at-the-next-privacy-uproar/>

Newson, A., D. Houghton, and J. Patten. Blogging and other social media: exploiting the technology and protecting the enterprise. Gower, Ltd., 2008. Print

Museum of London and social software: effectiveness of Facebook on Museum

Wednesday, November 25th, 2009

At the time of my research Museum of London (MOL) had a Facebook fan page that users of Facebook who were interested in MOL could join as a ‘fan’. MOL also had two ‘groups’ for users interested in the MOL late events that run on the first Thursdays of every month in both MOL locations (London Wall and Docklands).

On Facebook, MOL could send emails to all the members of MOL Facebook groups and send update alerts to all MOL Facebook fans.

I created a survey that was posted as an email to the members of the MOL Facebook groups, and it was also added as an update alert on the MOL Facebook fan page. (Information about my research methodology and the full survey can be seen in my last post). The survey was available for three weeks and in that time, 46 people completed the survey, of which, 45 were genuine responses.

MOL had been on Facebook for a year and at the time of the survey, had 369 people joined to its Facebook group ‘late at Museum of London’ and 155 people on its ‘late at Museum of London Docklands’ group. It also had 721 people joined as ‘fans’ of MOL.

Though the total number of members across all groups and fan page was 1245, many of the same people were joined to more than one of the above, and some were joined to all three.

So with the total number of members at 1245, and 45 respondents, in effect 3.6% of all members responded, not taking into account that many of the members may be joined to more than one group and/or the fan page, which would have meant that a higher percentage of members had responded.

How members were distributed over MOL on Facebook

It can be seen from the below graph (figure 1) that of the people who responded, the percentage of those signed up to the three different Facebook pages roughly mirrored that of the actual figures (721 fans, 369 members on late at MOL and 155 members on Late at MOL Docklands).

Graph showing the percentage of members who signed up to each of the Museum of London Facebook groups and the fan page

Figure 1: Members signed up to each MOL page on Facebook

Keeping in touch through Facebook

I wanted to know whether people actually visited the Facebook pages, and posed a question on this. The response to was that only 37% of the members visited fairly regularly (monthly, weekly, or daily), but of the remaining 63% of members, 47% visited the pages less than once a month, whilst 16% did not visit the pages at all.

These figures, however, were not quite accurate. First because the scope provided in my survey, between ‘less than once a month’ and ‘not since first joined’ is so large, but also because I did not factor in the question for whether members visited the pages if prompted with an email or alert. This is more evident through the fact that when asked when Facebook emails or alerts were sent out, were they read (figure 2), 67% of members said they read the emails and 53% said they checked the alerts, whilst a further 29% said they sometimes read the emails and 33% said they sometimes checked the alerts. Therefore, the percentage of people who did not actually read the emails or check the alerts was minimal.

Graph showing the percentage of members who read the Facebook emails and alerts sent out by Museum of London

Figure 2: Members who read the Facebook emails and alerts

In addition, I had to bear in mind the comment made by one responded that may have been true of other members on Facebook:

“This questionnaire asks ‘How often do you check your Museum of London Facebook pages?’ I selected ‘Have not visited since joining groups or becoming a fan’ because I don’t proactively visit pages. I only go in response to emails or other notifications from the page owner.”

Many other respondents made similar claims, where they said they “don’t think to go there unless prompted”, and because “I haven’t looked at the page on my own initiative but I like getting messages about events because I don’t have much time to look myself”.

Does Facebook encourage visit to MOL or MOL websites?

Of those people who responded, the number of visits made to MOL website was very high. 86% of all members visited MOL website as a direct result of MOL’s presence on Facebook (figure 3). Given that there are 1245 members on MOL Facebook pages, it could be said that it is equivalent to 1071 new visitors visiting MOL website as a result.

The visits to MOL and MOL Docklands are on a lesser scale, though it still shows 46% of members having visited the museums. If we carry that across all MOL Facebook members as above, 46% who may visit MOL or MOL Docklands will equates to 458 new visitors walking through the doors.

Graph shows the percentage of members who visited the Museum of London website, or Museum of London or Museum of London Docklands because of Museum of London’s presence on Facebook

Figure 3: Members who visited MOL website, or MOL or MOL Docklands because of MOL presence on Facebook

If we look at the specific visits for actual late events advertised in the Facebook groups, it shows that 18% of members attended an event due to the fact that MOL had a presence on Facebook (figure 4).

Percentage of members who attended the Museum of London late events at both Museums because of the Museum’s presence on Facebook

Figure 4: Members who attended the late events because of MOL presence on Facebook

From the comments I received from the survey, it becomes apparent that some members think it is “useful to find out about lates” and that updates keep them “in the know about happenings at the Museum”. One respondent said “I find it useful to know what’s going on – even if at the moment I keep failing to get there!”

It was interesting to find that many members do not live in London but enjoy hearing about what the Museum is up to and what they can do if they decide to visit London. From this I concluded that though a presence on Facebook will result in some specific visits to MOL events, the members on Facebook do not see it as an invitation to attend but rather as a place to get information about recent changes and updates to keep them informed about MOL.

How visitors learned about MOL and MOL on Facebook

To find out whether Facebook increased awareness of MOL, especially if they have never heard of MOL before, and therefore, can be classed as new audience, I asked how people learned about MOL as well as how they found out about MOL on Facebook.

The below graph (figure 5) shows that in fact, 22 people (43%) who had signed up to one or more of the MOL Facebook pages, were already aware of MOL because they had visited it in the past. A further 20% found out about MOL from friends, and 12% of the respondents actually worked for MOL. In reality, only 4% of respondents learned about MOL through Facebook – so Facebook did not reach out significantly to a whole new audience in the traditional sense – that of acquiring new audience in a new way that have never heard of MOL before.

On the other hand, 40% of respondents learned about MOL on Facebook through Facebook. This did not come as a surprise to me as I was aware that at the time of research, MOL Facebook pages were not advertised and only appeared in a single page on the MOL website, buried within the site, and therefore, the possibility of members signing up via MOL website was small.

Graph showing how visitors learned about Museum of London and Museum of London on Facebook

Figure 5: How visitors learned about MOL and MOL on Facebook

Looking at the graph, there appears to be similar reasons behind how people learned about MOL Facebook pages as they did with MOL itself, and those reasons appear to be through friends and for having visited MOL in the past.

How useful Facebook visitors found the MOL presence on Facebook

As I wanted to find out whether the MOL presence on Facebook was thought of as ‘useful’ by members who have signed up, I requested that respondents rate how useful they thought MOL on Facebook was. The result (figure 6) was that the majority (38%) of the answers given fell in the ‘neutral’ zone (3/5) although no one rated it as least useful (1/5).

Graph shows how useful members signed up to Museum of London Facebook pages found the Museum of London’s presence on Facebook

Figure 6: How useful members found the MOL presence on Facebook

This didn’t actually tell me much about ‘what’ they found useful or not useful and it was entirely due to the fact that I had not defined ‘useful’. However, there were some very interesting comments that accompanied this rating. See some comments below:

“It seems that people dealing with it, are just bored and do it because they have to do it”.

“Because I live in the north and it is easy to keep up to date with goings on Facebook because I am always on here!”

“I think their website is the best resource but I’m glad to see them on Facebook as well.”

“Notification of events at MOL is brilliant”

“It’s easier to engage with as opposed to visiting a website”

“I’d not know about the events otherwise”

One respondent noted that other museums provided more updates, by which, it was implied that MOL was not providing enough updates and perhaps should do more to make it useful. On the other hand, another respondent said that “you do it well and you don’t spam”, which implied that MOL got the right balance in frequency of alerts and emails.

This was an interesting point as social software tools can be used either as a social networking tool, or as a publishing tool by organisations to communicate information to users and members of Facebook can fall into either category.

To make sure people in both categories received the right level of information and interaction is difficult to get right. If regular updates are made and alerts and emails are sent, there is the possibility of irritating some users who may decide to remove themselves from the MOL Facebook pages. On the other hand, if enough updates are not sent, encouraging users to engage with MOL, the members who wish for more interaction will be bored and detached from MOL activities and may also choose to leave.

The challenge is to make sure that members in both categories were not alienated, and that everyone gets something out of the MOL presence on Facebook. The solution may simply be to ask visitors how frequently members wish to learn about particular events, exhibitions or museum news, and categorise them and only send regular updates to these people, for the specific type of update they signed up for.

In total, the number of positive comments outweighed the number of negative comments by 1 to 5, and thus it could be said that on the whole, Facebook members found the MOL presence on Facebook useful, but MOL could do more to improve its communications. Conversely, it could be said that as the respondents choose to answer the survey, they may have already felt positive towards MOL and thus skew the results. In fact, the results could be biased simply because those who did not respond may have felt negatively about MOL and its presence on Facebook but decided not to contribute towards any MOL activities.

Nonetheless, given that not all responses proved to be positive, it could be said that the set sample of responses is still representative of the population and the result can still be assumed to represent all members.

To conclude

Despite the rating of the usefulness of MOL Facebook pages by the respondents being mostly ‘neutral’, there was a unanimous agreement from the respondents that MOL should continue to use Facebook.

A comment that followed the question of whether respondents thought MOL should continue to use Facebook was “why not?”  If MOL were looking for an argument for not using Facebook as a means to communicate to a wider audience, then the above unanimous response defeats this. As one respondent commented, “it’s a very economical means of mass communication and reaches a “young” sector of the potential audience.” And as many respondents pointed out in various ways, “a LOT of people use Facebook!”

Perhaps the success behind having a presence on Facebook relies on the fact that “most people don’t have time to check multiple websites” and “it’s good to offer multiple ways for people to get information about your museum and events”.