![Optimized-Feb_pana_II[1]](http://www.mymuseumoflondon.org.uk/blogs/files/2010/11/Optimized-Feb_pana_II1.jpg)
February
Greetings fellow Olympian enthusiasts! When I last left you, the team had just submitted our exhibition proposal to the relevant committee . It’s been some time since that last post (sorry!) so I won’t keep you in suspense much longer. As it turns out, our exhibition proposal was too ambitious, the good news however is that a scaled down exhibition will mean increased emphasis on things like blogs and I am now very important. Also, as we won’t be able to display as many of the fantastic photos in the physical exhibition, I am able to debut the ones I fancy right here, right now. So join me, won’t you, as today we take a journey through this last year.
![Optimized-Mar[1]](http://www.mymuseumoflondon.org.uk/blogs/files/2010/11/Optimized-Mar1-300x199.jpg)
March

March
I have chosen to use the main stadium as the ‘control’ if you will, in order to better contrast the seasons. The decision to use the stadium was a symbolic one for, as the focus of the ceremony and grandeur, this stadium represents the heart of the…
I’m not sure where I’m going with this. We had a lot of pictures of it, ok?
As you may have guessed, this is the stadium in March. I wasn’t exaggerating when I mentioned a journey through the year. Each month hosts have been braving the elements and documenting the Olympic site. In fact, the banner picture at the beginning is from February.
In addition to a control shot of the stadium, I also wanted to include something a tad arty-er, which brings me to this companion shot. The holey obelisk in the photo is a signpost awaiting signs. Hopefully, after the Olympics, the signs will be removed again and the post buried in order to confuse future archaeologists.
![Optimized-Apr[1]](http://www.mymuseumoflondon.org.uk/blogs/files/2010/11/Optimized-Apr1.jpg)
April
Something a little different for April. Instead getting up close and personal with the Olympic site, we managed to secure rooftop access to one of the many skyscrapers that litter Canary Wharf, climb up there, and take some bird’s-eye shots. We’re rather daring here at the Museum of London Docklands, you see. Also, an important conceit of this exhibit is that it reflects
your 2012, so we only use photos that we took ourselves and that anyone with sufficient sweet-talking roof-walking skills (or a high altitude office in Canary Wharf) could take themselves.
![Optimized-June_II[1]](http://www.mymuseumoflondon.org.uk/blogs/files/2010/11/Optimized-June_II1-300x198.jpg)
June

June
The observant ones among you may have realised we skipped over May. I’m not sure why. Perhaps we were particularly busy. I would encourage you, however, not to dwell on this omission and, instead, enjoy the spring-time stylings nature has brought to the site and the stadium.
Though the construction process is fascinating, I’m always amazed by flora and fauna of the Olympic site. As the area has sat idle since the factories slowly died off, nature has had a head start and the variety of animal, and especially plant life could be an exhibition in and of itself. Of course the dilapidating factories also left behind an equally wide assortment of contamination.
Luckily for the flowers and the Earth in general, a major push is underway to clean the area. Every bit of dirt on the Olympic site is being systematically gathered, rinsed of all pollution, and released back into the wild. Though I’m still a bit unclear on the exact process (cleaning dirt will always strike me as a contradiction in terms) it’s wonderful to know that, whatever else it brings, the Olympics will certainly leave a legacy of a clean and arable Stratford.
![Optimized-July[1]](http://www.mymuseumoflondon.org.uk/blogs/files/2010/11/Optimized-July1-300x199.jpg)
July

July
July saw the implementation of what can only be described as a very English campaign protesting the Olympic regeneration. The campaign was waged in the form of brown cardboard signs, as seen in the picture, each sporting a rather adorably genteel and frequently misspelled observation.
In case you can’t quite read it, the one in this photo remarks
The transport links are very usefull(sic) in their own way, but they are just another means of diluting the community.
Other highlights include
I pass it a lot(sic) but I don’t have much day to day contact with it
When you build up an area like this to being urban, like having so much development in it, I think you kind of risk it becoming a bit sort of soulless(sic) and detached from the rest of the world
and my personal favourite
I’m a little bit dubious about the outcome.
Though soft spoken, I suppose only time will reveal if his dubiosity is justified. In the meantime this signage has disappeared as the Olympic site has continued to expand and evolve. Sadly for you, I’ve been taught to always leave an audience wanting more, so you’ll have to wait for the next post to see photos from August through December. These photos are totally worth the wait. Seriously, incredible stuff. You will be astounded and dumbfounded and all sorts of ounded. Afterwards, colours will look brighter. I’ll stop now, I’d hate to oversell you on this. I guess what I’m saying is check back early and often.
![Optimized-Hackney_Dust-destructor_on_the_Lea_near_to_Lea_Bridge_-_Water_colour_by_Leonard_Richmond_-_1928[1]](http://www.mymuseumoflondon.org.uk/blogs/files/2010/11/Optimized-Hackney_Dust-destructor_on_the_Lea_near_to_Lea_Bridge_-_Water_colour_by_Leonard_Richmond_-_19281.jpg)
Hackney Dust destructor on the Lea near to Lea Bridge (Water colour by Leonard Richmond, 1928)
In the meantime, have this visually stunning teaser courtesy of Villers Park Educational Trust. They are a charitable organization supporting young people from difficult backgrounds, you can find out more on them
here. Recently they ran an in-depth project on the Eton Manor Boys’ Club, the grounds of which have now been incorporated into the Olympic Park (the aptly named “Eton Manor” area). Along with collecting various oral histories, archival documents, and photographs, they hold a collection of 21 watercolour paintings of the area. This is obviously a member of said collection. Brilliantly, they have offered a loan of these for our exhibit and hopefully we’ll be able to find space in our scaled down-design, but at the very least I can debut this one in cyberspace.
Y’all come back now, ya hear?
-Kathryn

Donald
Your 2012 Profile of the Week
Donald
Role: Lead photographer/Exhibition designer.
Likes: Travelling, foreign cinema, the feel of wind in his hair
Dislikes: Fakes
Donald is an artiste who is single handedly responsible for drawing up the layout of our exhibition and capturing no less than 27 images of ducks in the month of August. Watch this space for the premiere of his work which captures and quiet corners of the Olympic site in ways both abstract and intimate.