The working life of Museum of London

Like a number of my colleagues in the Museum of London’s Department of Archaeological Collections and Archive, I belong to the Society of Museum Archaeologists (SMA). 

At last year’s annual SMA conference, I (along with many others!) enjoyed an excellent presentation from Detective Sergeant Vernon Rapley about the work of the Metropolitan Police Service’s Art and Antiques Unit. D.S. Rapley discussed several recent cases of fakes and forgeries, such as the infamous case of Shaun Greenhalgh.

D.S. Rapley’s talk provoked a lot of interest and discussion amongst SMA members, and we recently had the privilege of learning more about the world of fakes and forgeries with a guided tour of the ‘Fakes and Forgeries’ special exhibition put together by the Metropolitan Police Service’s Art and Antiques Unit at the Victoria and Albert Museum, London. Of particular interest to me were the archaeological artefacts that had been forged, including a number of Anglo-Saxon coins.

Walking around the exhibition and listening to our guide, Detective Sergeant Ian Lawson, you couldn’t help but be struck by the lengths that people had to gone to in order to establish a history or ‘provenance’ for the objects they had created. In many cases, documentation ‘proving’ the authenticity of the objects had been forged, including letters from Museum curators.

The special exhibition and work of the Metropolitan Police Service’s Art and Antiques Unit has really brought home the need to work closely with other museums, particularly in London, to tackle fakes and forgeries.