Things they don’t teach you at curator school

Galleries

For the last weeks (months? years?) we have been hunting for accessories for our Pleasure Garden figures and have assisted them with posing for photographs. Yesterday, and I cannot tell you how happy I am to write this, we have moved the last mannequin to her new home.

This has reminded me of a few rules which they don’t teach you at (dress) curator school:

Rule No. 1: Wear presentable socks as you might have to take off your shoes at short notice to step into a display case. If you happen to know in advance that several of you will have to take off their shoes simultaneously and that there is a chance you might be photographed (see below), you might even consider coordinating your hosiery.

Matching socks could be a nice conversation topic while you are steadying a mannequin because you have to wait for someone to fetch the tool that tightens the grub screw, which holds the mannequin’s pole. It goes without saying that you also need footwear that won’t take ages to take off and even longer to put on again.

Rule No. 2: Carry make-up with you at all times as your nice colleagues from the Press Department might suddenly feel inspired and demand you to be photographed while you are steadying a mannequin. You might want to stock up on miniature make-up samples, carrying around a full-size make-up bag is just not feasible (and will be frowned upon by the technicians).

Rule No. 3: You must ensure that at least two pockets are incorporated into your installation work wear as you will need to be able to use both hands. The pockets have to be big enough to hold all of the items below:

  • emergency socks and make-up
  • gloves, so you don’t get chocolate onto 200-year-old clothes
  • mobile phone in case a supplier arrives unexpectedly and no one can find you because you are hidden under a mannequin’s skirt trying to find the aforementioned grub screw (although it is unlikely that you will have reception or be able to answer the phone at that point)
  • tool used to tighten the screw so you don’t have to wait for ages on full display on a bad sock day
  • little box with pins of various sizes (you could pin those to yourself but you might regret it)
  • assortment of pretty silk ribbons
  • money for coffee/chocolate or to give to the intern who has to go out and buy more pretty ribbons
  • scraps of paper that you will mysteriously accumulate during the day
  • keys for display cases (or you will put them somewhere safe, forget where that was and get into big trouble with Security and a whole lot of other colleagues)
  • little bits of melinex and plastazote (this should be a life rule!).

On dress-up days (you might expect to impress a fashion journalist with your knowledge of ball end hex keys), finding space for all of the above might be difficult. Presentable women’s clothing rarely seems to have an adequate number of pockets.

Rule No. 4: In the run-up to an installation period, regular attendance at a gym is advisable. You will particularly want to strengthen your thigh and stomach muscles and make sure that your knees are in good order. Your upper arm strength will also be tested, but unfortunately lifting mannequins seems to do nothing much to bat wings (not that I really know what those are …). Gym visits once in a while might also help with the effects of extreme chocolate consumption, which you might become prone to.

That’s it. Print it out and keep it in a safe place for the next time you have to install 60 or so mannequins and more than 150 accessories and things will run smoothly (well, they never do, but it helps to be prepared).

12 Responses
  1. claire :

    Date: April 21, 2010 @ 2:14 pm

    As a fully paid up curator who is often wandering around with a pocket full of melinex and carrier bags of plastizote this made me chuckle! Sounds like a fab project. Maybe someone should invent a trendy ‘curators’ apron with lots of handy pockets and lanyards…

  2. Alden O'Brien :

    Date: April 21, 2010 @ 3:06 pm

    Too, too true! Thanks for a good chuckle! I tie a reenactor’s 18th c pocket around my waist for the keys and the pins, but a specially-designed apron is a good idea. Hmmm….off to the drawing board!
    Alden O’Brien, DAR Museum, Washington DC

  3. Perian :

    Date: April 21, 2010 @ 4:08 pm

    As someone who also deals with collections (I’ve been a registrar), I fully agree! I would also add the ability to open doors with your foot, after it has inexplicably closed, while you’re carrying a fragile and priceless object.

    Thanks for the chuckle. Been there!

  4. Margaret Geiss-Mooney :

    Date: April 21, 2010 @ 4:14 pm

    Now you know why we textile/costume conservators wear lab coats: pockets galore!
    Margaret (Meg) Geiss-Mooney
    Textile/Costume Conservator
    in Private Practice, California

  5. Beatrice :

    Date: April 21, 2010 @ 4:32 pm

    I had briefly considered a bumbag, they seem to be fashionable again. What do you think? Some of my (female) colleagues have taken to carrying a little box with them wherever they go but that doesn’t really work for me. Maybe a basket?

  6. Sarah Scaturro :

    Date: April 21, 2010 @ 5:54 pm

    Hilarious! As someone who puts up all of the fashion/textile exhibitions here at the Cooper-Hewitt, might I also add, DO NOT WEAR A SKIRT, especially when an art handler/helper is down at your feet (which are hopefully shod in the aforementioned nice, matching socks) tightening the mannequin spike as you steady it.

  7. Adam MacPharlain :

    Date: April 21, 2010 @ 6:23 pm

    This is truly a great list of rules illustrating the sometimes manic dressing of mannequins. I definitely agree with the necessity of the gym, especially when lifting an entire 1860s wedding dress over the mannequin’s head because the bodice had been sewn to the skirt, then holding the dress for ages as someone buttons the 30-or-so pearl buttons.

  8. Melissa Leventon :

    Date: April 21, 2010 @ 7:07 pm

    Yes, good socks are a must — and if you’re wearing sheer tights you should make sure your toenails are nicely painted.

    I’d add to your list tape for re-attaching wigs (and T-pins for REALLY attaching the wigs when the tape fails), copper wire for jewelry plus wire snips, twill tape, and an emergency supply of batting and net.

    Melissa Leventon
    Curator in private practice (and long-ago Museum of London assistant curator!), California

  9. M E Sorrell :

    Date: April 23, 2010 @ 5:12 pm

    Every aspect of art management seems to have its own dress requirements. Within a week of becoming director of an historic estate in Texas, I was presented with the skeleton of a snake that had curled around & shed its skin INSIDE a historic house. I bought 3 pairs of boots that weekend. Later, the gardener brought me a headless coral snake from the garden of the same house. Believe me, I never wore sandals even just to work in the office on the weekend.

  10. Bilkis Mosoddik :

    Date: April 26, 2010 @ 9:35 am

    I used to think archaeologists have the most adventurous life (who cannot believe it after Indiana Jones?), but I was obviously so wrong! Being a curator comes with its own adventures :)

  11. Denise Meunier :

    Date: July 21, 2010 @ 7:39 pm

    I often wear my own hand knitted socks while working on exhibits or cleaning the older carpets. My socks are usually very colorful and patterned, therefore the other staff members like to see my socks when Im working. What other job lets me be this creative in the workplace?
    Denise Meunier
    Longue Vue House and Gardens

  12. tom wareham :

    Date: February 22, 2011 @ 12:29 pm

    Dear B
    I really think this should be incorporated into the lecture series for budding curators. Though perhaps you could consider an appendix for all us gullible guys who, happening to wander past one of these events, get asked if we could ‘just hold this for a moment?’

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